Giorno: 18 dicembre 2012

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.

A post about Hassan Hajjaj can only be followed by one about Hindi Zahra, a good friend of him. A modern Cheikha Rimitti or a Moroccan Omm Kalthoum. Call her what you want. But please, take 5 minutes to listen to her voice. Here you find a short bio from her post psychedelic web-site.

“The story of a Berber girl born in Morocco. Her father was in the army and her mother a housewife, occasional actress and singer of village repute. Among her uncles were musicians, into the post-psychedelic Moroccan scene of the time. She grew up to the sound of divas ¾ raï and châabi, like Cheikha Rimitti, and the great Egyptian Oum Khalsoum ¾ between traditional Berber music and desert rock’n’roll, with the blues of the great Malian Ali Farka Touré and the sensual folk music of Ismaël Lo in the wings. All this before she set out across the Mediterranean to join her father in Paris. She left school and got her first job at 18 in the Louvre. “This was my meeting with art. As a child, I was contemplative, in touch with nature. The paintings gave me the same sensations.” Read more here.

Her Beautiful Tango.